THE DESIGN: The QRV09 uses very high-end Analog Devices AD8610 op amps for the input gain stage and the Texas Instruments TPA6120 as the output buffer. The TPA6120 is also used in the FiiO E9 I recently tested. The QRV09 has a relatively low gain of 2X (6 dB) but that’s easily changed. It includes an on-board AC power supply and jumpers to change the output impedance from 10 ohms to 120 ohms. You can read more on the Sjöström Audio Website.
NOT INCLUDED: The QRV09 is somewhat unusual in that it lacks an on-board volume control, power switch, and input/output jacks. So you’re on your own to implement those. The good news is that allows more flexibility configuring the QRV09 into a wider variety of enclosures and applications. It also allows using connectors and a pot of your choice rather than being limited by the PCB footprint. But its more difficult to use the board “standalone” by itself. I added temporary RCA input jacks, an IEC power receptacle, and a 1/4” headphone jack on a short “pigtail” for testing.
TPA6120 SOLDERING: The TPA6120 output IC is a relatively small surface mount part that can, in theory, provide over 1 watt per channel of output but this requires it to dissipate nearly 3 watts of power. That means it needs a decent amount of PC board copper as a heatsink. TI, of course, thought of this and there’s a large metal thermal pad on the underside of the package. You can find various suggestions for how to solder this inaccessible pad but my personal opinion is it’s relatively difficult for a DIY’er to do correctly. And regardless of your technique, it’s even more difficult to verify you got it right. Per-Anders was kind enough to offer PCBs with the TPA6120 pre-soldered. My suggestion would be a large plated through hole big enough to get a soldering iron tip and some fine gauge solder through under the part. Then it would be possible to wick solder in from the bottom of the board and ultimately fill in the hole. The QRV09 board, however, has only tiny feed-through holes under the heatsink pad. TI assumed the part would be soldered with a commercial IR reflow oven and solder paste but these are not an option for most DIY builders. The TI datasheet notes if the pad is not correctly soldered to a suitable heatsink (copper PCB area) the IC may fail. See the Tech Section for more details.
USABILITY: If you don’t want to leave the QRV09 powered on 24/7, it does create a bit of a “thump” if your headphones are connected. How loud the transient is will depend on your headphones. Also, I was surprised the Pulse Electronics transformers from DigiKey (553-1630-5) emit a soft buzz (from the transformer itself, not the headphones) that’s audible from a few feet away with the PCB exposed in a very quiet room. They’re the only readily available 120 volt transformers I know of in the USA that fit the PC board. Per-Anders used 240 volt European transformers that don’t have this problem. The QRV09 uses about $5 per year of electricity (USA rates) if left on all the time.
GAIN: The gain of the standard design is lower than normal at 2X (6 dB). This means to get the 2 volts RMS needed to drive say a pair of Sennheiser HD650 headphones, you need 1 volt RMS of input. That’s usually not a problem with a home pre-amp, home DAC, etc. But it might be a problem for a lot of portable devices and even some PC audio outputs. A gain of 3X or 4X is better if you want to use a wider variety of sources such as an iPod. I ran tests with both 2X and 4X gain. Many home sources are limited to about 2 volts of output and 2X gain limits the amp to 4 volts when it’s otherwise capable of over 7 volts. Considering how difficult it is to replace surface mount resistors, jumpers for selectable gain might have been useful. So choose your gain carefully before you build. The downside of too much gain is more noise, a less useful volume control range, increased volume tracking error and possibly more distortion. The FiiO E9 has a gain switch on the back to choose between 10 dB (3X) and 18 dB (8X) gain. See my article on amps and DACs for more.
HISS & NOISE: Even with my very sensitive Ultimate Ears the QRV09 was quiet but, as explained in the Tech Section, that’s at least partly due to the lack of a volume control and the abnormally low gain.
MEASUREMENT SUMMARY: The QRV09 measured very similarly, but generally a bit better, than the FiiO E9 which isn’t surprising as the FiiO E9 uses the same output IC. The E9 has a higher current power supply and delivered more power into 15 ohms but even the QRV09 delivers more power than anyone is likely to need at any impedance. The QRV09 is quieter and has lower distortion into higher impedance loads. They both suffer from the same 10 ohm output impedance which is far from ideal but OK for most higher impedance headphones (see my Impedance Article for why and the Tech Section for a possible fix). And they both have higher than expected distortion at low frequencies into low impedances. As usual, all the geeky details are in the Tech Section but here’s a summary and comparison
| Measurement | QRV09 | FiiO E9 | AMB Mini3 |
| Frequency Response | +/- 0.1 dB Excellent | +/- 0.1 dB Excellent | +/- 0.1 dB Excellent |
| THD 1 Khz 150 Ohms | 0.002% Excellent | 0.005% Excellent | 0.002% Excellent |
| THD 1 Khz 15 Ohms | 0.022% Good | 0.037% Good | 0.017% Good |
| THD 20 hz 15 Ohms | 0.07% Good | 0.05% Good | 0.01% Very Good |
| THD 20 Khz 15 Ohms | 0.02% Very Good | 0.003% Excellent | 0.45% Poor |
| IMD CCIF | 0.02% Good | 0.05% Good | 0.043% Fair |
| IMD SMPTE | 0.0015% Excellent | 0.002% Excellent | 0.009% Very Good |
| Noise (ref 400 mV) | -99 dB Excellent (1) | -88 dB Fair | -94 dB Excellent |
| Max Output 15 Ohms | 450 mW Excellent | 1067 mW Excellent | 104 mW Excellent |
| Max Output 150 Ohms | 345 mW Excellent | 317 mW Excellent | 38 mW Fair |
| Output Impedance | 10 Ohms Fair (2) | 10 Ohms Fair | 0.9 Ohms Very Good |
| Crosstalk 15 Ohms | 67 dB Excellent | 63 dB Very Good | 40 dB Poor |
| Channel Balance Error | N/A (3) | 1.8 dB Fair | 1.14 dB Fair |
- The noise measurement isn’t directly comparable, see the Tech Section
- A modification is discussed in the Tech Section reducing this to 0.08 ohms which is excellent
- There is no volume control to cause tracking error
FIRST CLASS:
- Excellent performance into higher impedance loads (greater than 64 ohms)
- Lots of output voltage for high impedance headphones
- On board power supply is convenient
- Jumper for selectable output impedance (10 or 120 ohms)
- Protected from RF and DC at the input
ECONOMY:
- 10 ohm output impedance is a problem with many headphones
- Disappointing distortion at low frequencies into low impedance loads
- Gain is too low for many headphones using a portable or PC source
- Does not include volume control, jacks or power switch
- Requires considerable surface mount soldering skills to build
- Inaccessible output IC thermal pad difficult to solder correctly
- Uses some expensive parts (most notably the AD8610 op amps)
- No headphone protection and has some “thumps” on power on/off
BOTTOM LINE: Unlike say the AMB Mini3, the QRV09 is a very solid design on paper. Per-Anders did an excellent job and the QRV09 follows solid engineering practice rather than attempting to solve problems that are more audiophile myth than reality. It also includes useful features the Mini3 lacks like RF and DC input protection. But, in my opinion, the QRV09 is another example of a design that looks great on paper but does not perform as well as expected in reality. My measurements uncovered some concerns that may disqualify the QRV09 as “Ultra High Performance”. But it still is very good into higher impedance loads. The performance is very similar to the FiiO E9. It’s a DIY project most can be reasonably proud of. But if you’re looking for the most bang for your buck, the FiiO E9 is probably cheaper when you consider all the costs. The E9 also adds several features including adjustable gain, line out, and a protection relay. In terms of ultimate performance, the Benchmark DAC1’s headphone amp is considerably better than either one. And just the headphone amp section of the DAC1 could be built for around the same price as the QRV09. But, again, things like PCB layout, grounding, etc. are critical if you hope to match the Benchmark’s performance. Ultimately, there’s no substitute for making the right measurements.
TECH SECTION:
DESIGN: The gain stage op-amps are individual left and right Analog Devices AD8610s that cost nearly $10 each at DigiKey. The TI TPA6120 is a somewhat unusual stereo current feedback power op amp with gain (it’s not a pure buffer like the National LME49600 or TI BUF634). Here it’s used at unity gain with only local feedback. There is no global feedback loop. The main downside to the TPA6120 is TI recommends at least 10 ohms of series output resistance to isolate reactive loads for stability reasons. As I’ve explained many times, including in my Impedance Article, I think that’s unacceptably high for many headphones—especially balanced armature IEMs such as those from Ultimate Ears, Etymotic, Shure, Westone, etc. But it will also affect the sound of many full size dynamic cans.
INPUT FILTER: The QRV09 intelligently includes an RF filter on the input. In this age of ubiquitous mobile phones it makes good sense. RF is easily rectified to DC at the input of an op amp and that can create substantial DC on the output causing unpleasant noises, and worse, damage expensive headphones. The QRV09 uses 1K in series and 100 pF to ground to help kill RF. It also wisely includes a coupling capacitor to block DC from the source. Per-Anders used 0.1uf Polyphenylene Sulphide (PPS) 2416 SMT film capacitors. The amp I tested used 0.12 uF Panasonic ECH series PPS caps. There’s also a “bleed” resistor on the input side of the capacitor eliminating any residual DC. The 0.1 uF cap and 470K resistor form a high pass filter that blocks DC with negligible effect in the audio range. Good film coupling caps have been demonstrated to be sonically transparent in blind tests, measurements, and audio differencing. So I very much agree with Per-Anders’ design decisions addressing real world problems of stray RF and DC offset at the input without any sonic sacrifice.
NICE LITTLE TOUCHES: The power supply has extensive filtering capacitors and even uses a MOV and fuse for protection. There are board-to-wire connectors for all inputs and outputs. Per-Anders clearly sweats the details.
GAIN MODIFICATION: I ran most tests with the “stock” 2X gain. I also spot checked several applicable measurements after changing the gain to about 4X by paralleling a 470 ohm resistor on top of R4 and R16 (1K to ground on the negative op amp input).The parallel result is 320 ohms which gives a gain of 1 + 1000/320 or 4.1X (12.2 dB). Most of the graphs indicate 2X or 4X. As expected the noise is about 6 dB worse at the higher gain setting. The ultimate crosstalk into 100K was also reduced by several dB. But the distortion measurements were mostly very similar indicating the input op amp is not the dominant source of distortion.
THERMAL ISSUES AND A SOLDERING CHALLENGE: As mentioned earlier, the TPA6120 heatsink pad is very difficult to properly solder. I played typical pop music, hitting peaks of only 1 volt, into a 15 ohm load for 15 minutes and the TPA6120 plastic package was at 120 F or about 50C. The die inside was probably over 70 C. That’s not dangerously hot, but it’s a possible sign the thermal pad is not working as well as TI intended due to poor soldering. Driving 300 ohm headphones to typical levels the pad is probably a non-issue. But in more demanding applications, or with high ambient temps, it might be. The other danger is someone could easily damage the part, perhaps in non-obvious ways, getting it too hot trying to solder the pad. One possible solution is not even trying to solder the pad and use lower supply rails (which can be done with just resistor value changes on the regulators). That would substantially decrease the dissipation but also the maximum output swing into power hungry high impedance cans. In theory, the part is thermally protected but quoting the datasheet regarding the hidden pad:
“This acts as a heatsink and must be connected to a thermally dissipating plane for proper power dissipation. Failure to do so may result in exceeding the maximum junction temperature that could permanently damage the device. “
FREQUENCY RESPONSE: There’s a slight roll off of about 0.3 dB at 10 hz from the DC blocking input cap but the response is +/- 0.1 dB from 20 hz to 96 Khz. The –3 dB point, even with the ferrites in place, was 220 Khz. Some might argue this is excessive bandwidth but it does keep the phase error low. The channel balance, with no volume control, was excellent (within 0.004 dB). The frequency response below 48 Khz was independent of the load impedance:
THD vs POWER OUTPUT STOCK: The power output in stock (10 ohm) form was ample but significantly less into low impedance loads than the FiiO E9 using the same TPA6120. With some investigation I found the power supply is falling out of regulation (see Power Supply Constraints below). Still, 450 mW into 15 ohms should be far more than anyone needs and far in excess of what the Mini3 and most headphone outputs can manage. And the dynamic (short term peak) power is much higher (closer to the FiiO E9) due to the 470 uF caps after the regulators. THD+N into 150 and 600 ohms was very low and noise dominated the measurement below 1 volt. The distortion was quite a bit higher into low impedances but still generally below about 0.01%. The graph shows output voltage vs THD+N at 1 Khz into four load impedances. The power is shown at approximately 1% THD for each load:
THD vs POWER FERRITE MOD: With the ferrite modification you get somewhat more power into 15 ohms as you’re no longer dropping nearly half the power across the 10 ohm output resistors but the limiting factor is still the power supply. It’s also worth noting the ferrites roughly double the distortion from about 0.012 to about 0.025% across much of the range:
POWER SUPPLY CONSTRAINTS: The 12 volt rails drop out of regulation at about 1 volt RMS into 15 ohms with both channels driven by a sine wave. They’re down to 8 volts at 2.5 volts RMS into 15 ohms. The SOT223 regulators are rated for 1 amp, which is plenty, but the the small AC transformers can’t handle the load. Some might be bothered by the sag but it’s not likely to happen in real world use with music, typical loads and realistic output levels. And there is even some benefit if the rails do sag. The dissipation in output devices increases exponentially with the supply rail voltage. Amps are more efficient, and produce less heat, when the rail voltage is matched to the load. That’s why some power amps have impedance switches on them and others use multi-rail or “smart” tracking power supplies (i.e. Class G, H, etc.). Hence the QRV09’s “soft” power supply helps reduce power dissipation in the TPA6120 under extreme use when the TPA6120 is most likely to get too hot. Soft power suppliers are common in mainstream amps and receivers as they allow manufactures to use smaller heatsinks and save money. The small transformers also fit well on a reasonably sized PCB and into slim enclosures.
OUTPUT IMPEDANCE: With the 10 ohm resistors in place in the stock design, 400 mV no load dropped to 240 mV into 15 ohms giving, as expected, a 10 ohm output impedance. With the jumpers removed the output impedance was 120 ohms. And with the ferrite modification 400 mV no load barely dropped to 398 mV with 15 ohms giving an output resistance of 0.08 ohms—the lowest I’ve yet measured. Even at 20 Khz it only rose slightly to 0.09 ohms. This is excellent performance with the ferrite mod. In case you think 10 ohms output impedance is just fine, here’s what 10 ohms does to the frequency response of my Ultimate Ears SuperFi 5 Pro headphones (from the FiiO E9 which has the same TPA6120 and same 10 ohm output resistor):
THD+N 1 KHZ 150 OHMS: Here’s the impressively low distortion at 1 Khz and 1 volt into 150 ohms. For comparison, the FiiO E9 measures about 0.005% on this test. Also note the channels are well matched which indicates a symmetrical PCB layout:
THD+N 1 KHZ 15 OHMS: There’s about 10 times the distortion into 15 ohms with the ferrite. Without the ferrite, this drops to about 0.012% but that’s still about 5 times the distortion compared to 150 ohms. That said, this is still a significantly better result than the FiiO E9 which was nearly 0.04%. And it’s mainly 2nd harmonic which is the most benign. This is likely inaudible as the higher harmonics are all below –90 dB:
THD RESIDUAL 150 OHMS: Here’s the 1 Khz residual at 150 ohms and there’s perhaps a hint of crossover distortion but it’s fairly benign:
THD RESIDUAL 15 OHMS: Here’s the 1 Khz residual at 15 ohms showing it’s mainly 2nd harmonic with no signs of crossover distortion (note the different vertical blue scale compared to above):
THD 20 KHZ 150 OHMS: Into 150 ohms the high frequency distortion, measured out to 88 Khz, was very low:
THD 20 KHZ 15 OHMS: Into 15 ohms, with the ferrite, it’s notably worse but still not much to worry about with no spectral components above –80 dB anywhere in the audio range. See the Frequency vs THD graph for the distortion without the ferrite. Here the FiiO E9 has the advantage. It measured 0.003% on this test. I suspect the FiiO has a better PCB layout for routing the higher currents required at 15 ohms and/or uses different feedback:
THD 20 hz 150 OHMS: Into 150 ohms the QRV09 does very well at 20 hz with everything below –90 dB and the 2nd harmonic dominant. (Note the THD reading is slightly higher than the THD+N reading because it uses a different notch filter to remove the fundamental while leaving only the harmonics. Due to the “excessive” width of the fundamental at 20 hz, even with a 256K FFT, more of the fundamental leaks into the result. I’ll remove it from future 20 hz results):
THD 20 hz 15 OHMS: Into 15 ohms (no ferrite), just like with the FiiO E9, things get worse. The good news is the 2nd harmonic still dominates and is the only non-linearity over –80 dB but it’s a lot over at about –62 dB. Everything else is below –80 dB. The ear is less sensitive to low frequency distortion and the 2nd harmonic, so this is likely still inaudible, but this isn’t what I would call “ultra high performance”. The FiiO E9 measured a similar 0.05% on this test. If you’re thinking the dScope is somehow to blame, have a look at the Cmoy Review to see 0.0048% into 15 ohms—about 10 times lower--and the Benchmark DAC1 measures much better as well:
THD 20 hz 15 OHMS 100 mV: One source of low frequency distortion can be thermal distortion. Wondering if that’s to blame here, I tried reducing the level to only 100 mV and driving only 1 channel but it didn’t help much and the 2nd harmonic is still about –65 dB.
THD 20 hz 150 OHMS WITH FERRITE: Here’s the same test as above with the ferrite. The ferrite roughly doubles the distortion and much of the increase is in higher order harmonics. This is where an air core inductor has an advantage but, in my tests, created significantly more ringing on the output and is more subject to implementation issues. Regardless, based on the testing I’ve done, the TPA6120 forces you to trade off distortion, output impedance and ringing/impulse response. The best solution will depend on what headphones you’re using. With balanced armature IEMs a 10 ohm output impedance is unacceptable. So it comes down to more ringing vs a bit more distortion. For the sake of maximum stability and repeatability, I chose the higher distortion. At 80hz it’s only slightly above –80 dB so it’s still very likely inaudible. To me, it’s the best compromise but an even better solution is to use a better output device than the TPA6120 that’s stable without anything in the output (ignore the typo of “10 hz” in the caption—you can see it’s 20hz in the spectrum).:
THD+N vs FREQUENCY: Here’s the THD vs frequency into both 150 ohms (yellow) and 15 ohms (blue) and it looks amazingly like the FiiO E9 graph shown below. There’s a steady rise in distortion into low impedance loads below about 5 Khz. This is the stock 10 ohm design without the ferrite. I don’t know if this is a PCB layout issue or some inherent problem in the TPA6120 but it’s not very impressive. The Cmoy I tested, with it’s $0.80 op amp, does much better at 15 ohms:
FiiO E9 FOR COMPARISON: Note how similar the FiiO E9 curves are below to the QRV09 above:
THD+N vs FREQUENCY WITH FERRITE 150 OHMS: Here’s the 150 ohm plot with (blue) and without (yellow from above) the ferrite. Only below about 200 hz does the ferrite significantly add any distortion and it’s still nothing to worry about:
THD+N vs FREQUENCY WITH FERRITE 15 OHMS: Here’s the comparison with and without the Ferrite at 15 ohms and due to the much higher current it, as would be expected, causes more distortion. You can see some weirdness above about 5 Khz and overall higher distortion:
IMD CCIF: Here’s the CCIF IMD at 15 ohms. This is significantly better than the FiiO E9 which measured 0.05%. The –72 dB component at 1 Khz is a 2nd order distortion product from the difference of the 19 Khz and 20 Khz signals. Ideally, I’d like to see it below –80 dB. The good news is the higher order sidebands around the 19 and 20 Khz tones are very low at about –105 dB:
SMPTE IMD 150 OHMS: Into 150 ohms the SMPTE IMD was extremely low (just about as-good-as-it-gets—the IMD distortion is mostly lost in the noise and entirely below –110 dB):
SMPTE IMD 15 OHMS: Into 15 ohms there’s mostly just the higher harmonic (not IMD) distortion from the 60 hz component. The actual IMD is still very low at 0.0015% which is slightly better than the FiiO E9’s 0.002%:
INTERCHANNEL IMD: I ran some interchannel tests and the results were excellent as would be expected with isolated power supplies and a real ground. This review is already quite long so the graphs are not shown. The result was almost entirely dominated by the crosstalk from the headphone jack.
CHANNEL SEPARATION (CROSSTALK): I should have explained in previous reviews the crosstalk in a headphone amp is sometimes limited driving real world headphones by the 3 wire connection. Both channels share a common connection, and the lower the load impedance, the more that connection contributes to the crosstalk. Most other devices I’ve tested have had factors dominante. It comes down to the PC board layout, the resistance in the jack itself, any wiring, grounding (or, worse, virtual grounding), how the feedback is configured, etc. I minimize the resistance of any external wiring when I attach the load which simulates using headphones with 4 wire cables. Still, even the jack resistance typically limits crosstalk to around 70 - 80 dB into 15 ohms and around 80 - 90 dB into 150 ohms. The QRV09 was indeed in this range so I also measured it at 100K to show (somewhat unrealistic) crosstalk within the amplifier itself. The results are shown below into 15 ohms (blue), 150 ohms (yellow) and 100K ohms (red). All three are excellent performance and better than the FiiO E9:
NOISE: Reproducing a –80 dB signal, the noise performance was the best I’ve measured but there are two reasons why it’s not a fair comparison. First, there’s no volume control and the dScope has a very low source impedance minimizing the Johnson noise. The AD8610 is so quiet the broadband noise is nearly entirely the Johnson noise of the 1K input resistor. With a typical 10K volume control in place there would be at least twice as much Johnson noise so the noise floor would increase by at least 6 db. Second, this amp has only 2X ( 6 dB) gain. Increasing the gain to a more typical 4X (12 dB) increases the noise floor another 6 dB. Note this is referenced to the same realistic 400 mV I always use. Referenced to full output (7 V RMS), the way a manufacture might spec it, the noise is about 20 dB better (-118 dB unweighted –126 dB weighted). The nearby AC transformers from the onboard power supply appear to be the limiting factor. Somewhat odd is the amplitude of the 180 hz artifact of the 60hz AC power and 120hz ripple. But everything is still below –110 dB which should be silent. The actual hiss portion of the noise (above 500 hz) is about 16 dB quieter than the FiiO E9:
PHASE RESPONSE: The phase response below 48 Khz was unchanged by the ferrites and the result below is with the ferrites. The input DC blocking capacitor causes the expected shift but it’s still only about 8 degrees at 20 hz. At 10 Khz the shift is an excellent 0.25 degrees. But this is to be expected with a bandwidth beyond 200 Khz:
GAIN: The gain measured 2X or 6 dB in the stock configuration and and 4.1X (12.2 dB) with my modification. The higher gain slightly increased the 100K crosstalk by several dB and increased the noise by 6 dB. It had very little effect on distortion which speaks well for the AD op amp’s gain bandwidth product and distortion but also indicates the TPA6120 and/or other factors are probably the weak link in terms of distortion. Other gains are, of course, possible just by changing the feedback resistors on the op amps.
CLIPPING BEHAVIOR: Input clipping was not an issue. The output will always clip first for any gain greater than 1X. Even into reactive loads the amp was stable at clipping with and without the ferrite modification. Here’s clipping with the ferrite into 600 ohms in parallel with 0.01 uF at 1 Khz. The TPA6120 gets fairly close to the supply rails and the clipping is nicely symmetrical:
CLIPPING SPECTRUM: Worried about possible instability I checked the spectrum while clipping and there was no unexpected ultrasonic garbage out to 96 Khz with the ferrites. I didn’t try sustained clipping into 15 ohms for fear of damaging the TPA6120 if the thermal pad isn’t properly soldered:
SQUARE WAVE PERFORMANCE WITH FERRITES: With the same CX300 headphones as above, but the 10 ohm output resistors paralleled with chip ferrites, the overshoot is gone. The red trace is just the headphones and the blue trace is the headphones with a 0.047 uF film capacitor in parallel. You can see a small amount of 500 Khz ringing related to the added capacitance, and a bit slower rise time in both traces, but the amp is stable:
SLEW RATE WITH FERRITE: The slew rate shown below between points 1 and 2 is 11.27 volts in 688 nS. That’s about 16 volts per microsecond. This is very fast and about double the FiiO E9. But, in fact, both amps need less than 2 volts/uS. The main point here is the ferrite chip doesn’t come close to causing speed problems even at full swing of over 20 V p-p into 600 ohms:
STABILITY WITH FERRITES: I conducted a lot of tests using various ways to bypass the 10 ohm output resistors while still isolating reactive loads for stability. I tried 1 ohm chip resistors and, with added capacitance on the output, observed signs of significant instability. A 1 uH chip inductor created more ringing and more distortion in the audio band compared to ferrites. And an air core “off board” inductor also created more ringing but less distortion. The classic DIY solution for audio power amps intended to drive speakers is a wire wound coil around a 1 or 2 watt carbon composition resistor. That created more ringing than the chip ferrites. As a torture test, I used about 20 feet of headphone extension cables strung together with a “Y” cable at the end. I used up to 1.5 uF of capacitance by itself and in parallel with various real headphones and resistive loads. I also tried lots of different headphones by themselves. Into all the loads, I ran a low level 10 Khz square wave and observed the response on a 100 MHz scope, as shown above, for signs of ringing or oscillation. Overall, I was most satisfied with the chip ferrites especially when you consider their implementation is nearly foolproof (unlike handwound coils and other off board solutions). Another thing to try would be to replace (or parallel) the 10 ohm resistors with 1 ohm resistors and add through hole ferrites to the 120 ohm jumper locations.
DC OFFSET: The DC offset measured an excellent 1.8 mV in one channel and 2.3 mV in the other. The expensive op amps likely help here.
POWER CONSUMPTION: The design draws about 40 mA AC at 120 volts or 4.8 VA at idle. The bulk of this are losses in the transformers. If left on 24/7 that’s about $5 per year in electricity. The DC power consumption is also about 40 mA from the 12 volt rails or only about 1 VA.
DESIGN COMMENTS: For anyone considering the QRV09. or a similar design. here are some things to consider:
- Output Impedance - As with the FiiO E9, and likely most other TPA6120 headphone amps, the 10 ohm output impedance is a problem for many headphones. I explain why in my Impedance Article and an earlier graph shows big (6 dB) frequency response problems into my IEMs. It also degrades electrical damping and hence the bass performance of many full size headphones like the Denon AH-D2000s. In my opinion, it prevents the TPA6120 from being a “one size fits all” high quality amp. Reducing the output impedance to near zero using on-board ferrite chips increases distortion somewhat (in many cases roughly doubling it). Some further experimentation might yield a better compromise and a more ideal output network. The danger here is there may be some headphones that could trigger instability and potentially damaging oscillation in the TPA6120 when the 10 ohm resistors are bypassed. So unless you have the means to fully test the stability of your particular project, I suggest care in trying alternate techniques. I chose the chip ferrites because they’re easily reproduced by others, relatively fool proof, and seemed like the best overall compromise (see Stability With Ferrites above).
- Low Frequency Distortion - The rising distortion at lower frequencies into lower impedance loads is a puzzle. When I observed it with the FiiO E9 I assumed it might be related to the DC-DC power supply in the E9. But it’s nearly exactly the same here with the QRV09 using a very conventional power supply. The problem is either inherent to the TPA6120 or both designs somehow have a very similar design flaw. One possibility is how the power supply and ground currents are handled. The QRV09 layout uses ground fills on both sides of the PCB rather than specific ground routing. That might cause higher distortion at low impedances but I would expect it to be similar at all frequencies. Anyone have any ideas as to the cause of low frequency distortion?
- Dual Mono Questions - I’m not sure there’s much benefit to using two single op amps and two sets of power supply regulators when the TPA6120 is a single stereo IC and the separation is ultimately limited by the 3 wire output. You could dedicate a TPA6120 for each channel (and even parallel them) but in terms of the weakest link, the headphone jack is, by far, the biggest offender. That said the QRV09 is slightly better than the FiiO E9 in a few areas and the dual mono configuration might be partly responsible.
- TPA6120 – I’m not sure the TPA6120 is the best choice. I can understand why FiiO and other commercial manufactures use it as it’s relatively inexpensive (less than $2 per channel in volume). Their products are also manufactured with commercial IR reflow ovens and screened solder paste eliminating the soldering problems. But given the difficulty in properly soldering the heatsink pad by hand, the 10 ohm output resistor requirement, and the mysterious low frequency distortion, I consider the TPA6120 a marginal choice for a high quality DIY amp. On paper it looks good. But, for the two TPA6120 designs I’ve measured, the Benchmark DAC1’s headphone amp easily outperforms both and even the Cmoy I tested outperformed it in many ways into 15 ohms.
- Op Amp Overkill - I’m not sure the AD8610 is providing any meaningful benefit over several less expensive op amps. The real world noise is limited by the Johnson noise of the input circuitry and hum components from the onboard power supply. And the distortion is apparently more limited by the TPA6120 and/or other factors. The much cheaper OPA2134 in the FiiO E9 delivers very similar performance but it’s a dual op amp and not pin compatible. But the 2134’s single channel cousin, the OPA134, and the National LME49710, would work nicely. Both are about 1/4 the price of the AD8610. I have a future article planned on “op amp rolling” to explore any differences more.
- Output Relay – The FiiO E9 has an output relay with delayed turn on and immediate disconnect on power off. Given the QRV09’s audible “thumps” on power up and down I understand why FiiO went to the added expense. An output relay can also be used as DC protection to help save expensive headphones if the amplifier fails.
- Gain Selection – 2X gain might not be enough for some applications. Think carefully about your gain requirements before selecting the values for R4 and R16. See the gain comments in the review.
TECH SECTION SUMMARY: Generally the QRV09 measures better or similarly to the FiiO E9 except in high frequency distortion and maximum power output into low impedances. The FiiO E9 is a very similar design using the same TI TPA6120 so this isn’t surprising. The FiiO has a higher current power supply while the QRV09 is quieter, has less crosstalk, and lower distortion into 150 ohms and above. The biggest issue for both of them is the output impedance. See my comments in the Design Comments immediately above. Given the output impedance issue, and the relatively high levels of low frequency distortion, some might not consider the QRV09 (or the E9) “ultra high performance” but the performance is still very good into higher impedances. And, unlike the AMB Mini3, the distortion into even low impedance loads is likely still inaudible for the reasons mentioned. But, in terms of raw performance, the Benchmark DAC1 delivers significantly better performance than either one of them. And the Bechmark’s headphone amp section could be built for around the same price. But, that said, the QRV09 and FiiO E9 both sound and perform just fine with a lot of high impedance headphones including my Sennheiser HD650s. The QRV09 might not have the ultimate specs but it’s a solid design.
